So they say goodbye and allow Deke to become director of the survivors of S.H.I.E.L.D. It’s actually kind of an easy decision: Daisy has Sousa so doesn’t need him, and he’s a rock god in the early ‘80s anyway. The only thing is, that requires someone to be left behind to flick the switch. These people are real and they can’t be left at the mercy of the invaders, so they decide to take the Chronicoms home with them over Fitz’s protests (like Sybil, he’s very concerned with probabilities of success). In his words, this isn’t a virtual world like the Framework. His plan is actually to just straight up ditch this timeline in favor of their original, but Coulson and company refuse to abandon this dimension to the Chronicoms. Season 4 was broken into three pods tied together by the central plot device of the Darkhold: 'Ghost Rider,' which introduced Robbie Reyes and his conflict with his Uncle Eli 'L.M.D.,' which saw Radcliffe and AIDAs experiments with artificial intelligence take a dark turn when the Darkhold became involved and 'Agents of Hydra,' which threw SHIELDs agents into an alternate reality that they. This subreddit will allow what the illegitimate r/shield subreddit wont let us, have an open discussion. Produced by Marvel Television (Now part of Marvel Studios) and ABC Television. For those who have been waiting all season for Agents of S.H.I.E.L.D.’s time travel rules to tie in with those of Avengers: Endgame, Fitz finally delivers with talk about the quantum realm and how they can travel between different timelines. Subreddit for the TV show, Marvels Agents of S.H.I.E.L.D.
This kicks off the second half of this two-part series finale. As punishment, she immediately gets stunned by Malick and hooked up to his power-transfer machine. But it does ruin Sybil’s plans, so thanks for that.
Her motivations are a confusing tangle: She’s mad at Daisy for not telling her about Jiaying’s death despite making out with Jiaying’s actual killer Nathaniel Malick, plus she also says her mom was a monster, so I’m just not sure why she’s mad and I’m not sure she does either. This distraction frustrates Sybil, and honestly me as well because it just shows what a weak character Kora has been.
But just as Sybil is getting excited that the truth is going to be unveiled, Kora emerges from behind a corner and starts Daisy. That seems like it’s about to happen prompted by Daisy, Simmons starts to remember that she’s married and that her marriage is somehow the key. Mack, funnily enough, was right all along: “I always knew it was robots who would take us out in the end.” As he and Sousa try to hold off Hunters, Sybil tells Malick to let Daisy find Simmons because their reunion increases the probability of finding out Fitz’s location.